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5 Things I’ve Learned from Photographing 2,000+ Bands

I’ve been in the pit. I’ve been in the crowd. I’ve photographed metal bands, singer-songwriters, pop acts, rappers, and openers who ended up on world tours. Somewhere along the way, I crossed the 2,000-band mark—and I’ve learned a few things.

Whether you’re just getting started or deep into your own journey, here are five lessons that have stuck with me.


1. Every Show Brings Its Own Challenges

It doesn’t matter how many shows I’ve shot—every single one has something new. Terrible lighting, no pit access, rain, fog machines gone wild, or a singer who never stops pacing in the shadows. No two gigs are the same.

But that’s part of the thrill. You learn to adapt. You grow.


2. You Won’t Connect with Every Artist—And That’s Okay

Some shows will move you to tears. Others will feel like a job. That’s just the truth. But even when I don’t personally connect with the artist, I focus on finding something worth capturing—a gesture, a crowd reaction, a lighting moment.

Not every set has to change your life. But you can still make meaningful art.


3. The Best Moments Are Usually Unplanned

It’s not the pose. It’s the in-between. A laugh. A leap. A moment of silence before the big drop. The best photos come from watching closely and anticipating something real—not forcing it.

If you’re present, you’ll catch those fleeting little fireworks that no one else sees.


Dark, grainy concert photo of Squid Pisser’s singer leaning into the crowd to hand flowers to a fan during their set.
Dark, grainy, chaotic - and one of my favorite kinds of challenges. Squid Pisser's set had everything, including a moment where the singer handed flowers to fans.

4. Take Care of Your Body and Mind

This work can be physically and mentally exhausting. Long nights, heavy gear, editing marathons, overstimulation. I’ve learned to stretch before I shoot, hydrate between sets, and rest when I need it.

Also: noise-reducing earplugs are your friend. So is a slow morning after a loud night.


5. This Work Is a Gift

No matter how tired I am or how many galleries are waiting for me, I never lose sight of what a privilege it is to do this. To witness music up close. To support artists. To freeze a moment that someone might remember for the rest of their life. That’s what keeps me showing up.


Final Thoughts

I didn’t learn all of this overnight. It’s taken years, thousands of bands, and plenty of trial and error. But these five lessons have shaped not just how I photograph music—but how I live.

📎 Want to start your own journey? Heres how to build your portfolio from scratch.


Comment below if you want a "part two" to this, featuring more lessons from the pit.

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